Between my two years of formal photography classes in the late ‘90s and discovering the world of online photography education, I often joked that I was teaching myself photography “Good Will Hunting style.” That is, an education that cost “a dollar fifty in late charges at the public library,” to quote Will. Except that I’ve racked up way more than a buck fifty in fines. I still love the library, but I also adore documentaries.
So when I unexpectedly unearthed a bounty on Netflix — a photography documentary library of rental options — I took a book break and watched. And then experimented with self-created photography exercises derived from some of the films (think Henri Cartier-Bresson “decisive moment” practicing). Like Will said, “How do you like them apples?”
Visual Acoustics: The Modernism of Julius Shulman
The film opens with this observation: “Architecture affects everybody. From the hospital where you were born, to the schools and the grocery stores, markets, libraries, and theaters – every part of a person’s life is based upon an architect’s presence.” And with that, the film had me at “hello.” Narrated by Dustin Hoffman, this film chronicles Julius Shulman’s pioneering role in architectural photography – namely,, his passion for the mid-century modernism movement of Southern California. He captured iconic structures designed by mid-century modern’s founding fathers – like Frank Lloyd Wright, Richard Neutra, and Frank Gehry.
Shulman spent his youth on a Connecticut farm before transplanting to California. He cites the time on that farm as influential in his desire to photograph modernism and its frequent and seamless merge with nature and indoor/outdoor living spaces. Wita h a camera in hand, Shulman grew up with Los Angeles, defining the way architecture was photographed – capturing not only the aesthetics, but also how a space made him feel. He’s a fan of hard angles, leading lines, and vanishing points, all evident in his images.
In his 60-plus years of shooting, Shulman traveled the world and photographed for countless publications and architects, while always maintaining his role as ambassador to the modernism movement. The film wraps it all together with poignant scenes of Shulman packing up his life’s work and archives, while sharing a glimpse of what the “Julius Shulman legacy” will bequeath to future photographers and architects. To amble down memory lane with a humble Shulman – one of poured concrete no less – is an inspiration.
National Geographic: The Photographers
You’d think a 17-year-old documentary would be dated data, but like the pages of National Geographic magazine, this film is timeless. And couldn’t we listen to photographers Sam Abell and Steve McCurry talk all day? Narrated by actor Keith David, the film aims to expose the often brutal and dangerous realities of a National Geographic photographer’s “dream job.” (Think extreme fatigue, malaria, bugs, bugs, and more bugs.) But it also serves to gloriously celebrate “a collective goal…to bring the world, and all that’s in it, to the pages of a magazine.”
We get a little bit of the publication’s early history, then take to the ocean, Pompeii, a Turkish market, and lion stalking under the stars – all with National Geographic veterans as our guides who, as both photojournalists and artists, strive to create “pictures that dazzle as well as inform.” And when Steve McCurry reveals what makes a great National Geographic image, Sam Abell illustrates how to create intimacy between a photograph and readers, and Michael “Nick” Nichols discusses image making and evoking a sensory experience, you’ll want to grab a pen and paper. National Geographic has always brought to our coffee tables parts of the world we may never get to see – and this still-relevant film brings a bit of that to our televisions as well.
William Eggleston in the Real World
William Eggleston’s color photography is just plain cool! But his work wasn’t always lauded. In fact, in 1976, when Eggleston’s work was exhibited at the Museum of Modern Art in the first solo color photography show in history, it was met with rejection by critics — even Ansel Adams expressed his disdain publicly. Ouch! Both time and Eggleston’s vivid and observant body of work have changed that.
But this film is not without its imperfections. The Memphis native is a man of few word,s and hisouthern-accenteded utterances require subtitles. And there’s a rather strange and, shall we say, under-the-influence trip the viewer is thrust upon midway through the film. But the filmmaker makes up for it with soft-spoken and poetic commentary reflecting on Eggleston’s artistic intent, use of perspective, “snapshot” criticism, and his ability to achieve deep intimacy with his subjects. But it’s Eggleston’s gift of observation that is the most fascinating. The filmmaker remarks, “Eggleston’s true subject is, simply and inexhaustibly, the nature of perception.”
The filmmaker and viewer trail Eggleston around the streets of Kentucky to watch this color master at work. He can be seen carefully surveying each scene — like a hunter — never forgetting perspective as we see him look up, down, and all around. And with that, Eggleston, who responded to the critics calling his work “snapshots” with “I am at war with the obvious…” is also just plain cool to watch.
Gregory Crewdson: Brief Encounters
Gregory Crewdson’s elaborately constructed and choreographed narrative images are known as having the same production value as an indie film,for a single capture. A student of photographer Laurie Simmons (who is interviewed in the film), Crewdson has been shooting in the same few small towns of Western Massachusetts for over 20 years. He cites Diane Arbus, Alfred Hitchcock, and his love of long distance swimming as a few of his influences. But it’s really his memories of his father’s profession as a psychoanalyst, and the extreme secrecy of his work, that serve as the most profound influence for Crewdson’s image-making.
Crewdson reflects: “I’ve always had images inside my head that I feel like I want to get out in the world. It’s really kind of a projection for my story, that explore my own anxieties, fears, and desires.” Like a director in a movie, Crewdson doesn’t actually operate the camera, though he is a perfectionist with an unparalleled attention to detail toinhe entire process. Every aspect of his fictional constructs — every detail, color, prop, and person — isall handpicked by Crewdson himself to execute his story and vision. Using actual residents of the towns in which he photographs, Crewdson strives to merge domestic everyday life and cinema to reflect his personal narrative.
The film walks us through Crewdson’s thought processes — everything from brainstorming sessions and location scouting, to the multi-day productions. Crewdson, who shoots both on-location and in constructed sets, frequently employs movie crews for his projects along with sky-high production lights, hair and makeup artists, smoke machines, and the occasional police detail. To see it all come together in Crewdson’s final images is surreal, haunting, and jaw-dropping. And when Crewdon explains, “To me, the most powerful moment in the whole process is when everything comes together and there is perfect, beautiful, still moment. And for that instance, my life makes sense,” it is then that his commitment to his art on this level all makes sense to us, too.
Henri Cartier-Bresson: The Impassioned Eye
This film invites the viewer into Henri Cartier-Bresson’s Parisian living room to sit across from the photographer, white wine in hand, as he flashes exquisite black and white prints and shares stories of each in what has to be the best slideshow ever! Cartier-Bresson is known for his decisive moment approach to shooting as well as his affinity for visual geometry. Both of which are discussed, at length, in rich commentary by Cartier-Bresson and others — playwright Arthur Miller and photographer Elliott Erwitt included. Combine that with to-die-for tonal range and you’ve got a film teeming with a symphony for the eyes and ears. But it’s Cartier-Bresson’s own eye that is truly gifted.
He reveals: “My passion has never been for photography itself, but for the possibility of forgetting yourself and… of capturing in a fraction of a second the emotion of a subject and the beauty of form.” There is something inherently pure in the way he describes his process. Cartier-Bresson’s desire was never just about making a picture, but capturing something more profound — a feeling, a fleeting moment that revealed both the subject and the photographer’s connection to the world. He had a deep love for structure, rhythm, and shape, all of which came together to form a unique visual language. His understanding of how lines intersected, how moments could freeze in time, and how geometry manifested itself in the real world made him a true master of the medium.
Cartier-Bresson’s approach to photography involved a keen awareness of timing and perspective. He didn’t try to pose or direct his subjects, but instead relied on the natural flow of life. His ability to predict when a key moment would occur — when the lines, shapes, and energy of a scene aligned — was what made his work stand out. Cartier-Bresson believed that photography was a way of capturing life as it happened, raw and unfiltered. He once said, “There is nothing in this world that does not have a decisive moment.” For Cartier-Bresson, these moments were not just about the physical arrangement of objects in a frame, but about capturing the essence of life itself — the joy, the struggle, the quiet contemplation, the vibrant motion.
The film beautifully captures the essence of Cartier-Bresson’s philosophy of photography. It takes us behind the scenes, showing us not just his famous images butt the moments and experiences that led to their creation. We see him talk about his passion for finding perfect compositions in the world around him, his ability to spot a decisive moment, and how he would use his camera to “forget himself” and allow life to unfold naturally. There’s a quiet serenity in watching Cartier-Bresson reflect on his craft, as if he’s sharing a secret about how to truly see the world, beyond its surface. The film captures his humility and his deep reverence for the art of photography.
For photographers who admire Cartier-Bresson’s work, this film offers a rare glimpse into his creative process and the intellectual rigor that underpinned his work. The film provides an intimate look at how he approached his subjects, how he played with light and shadow, and how he balanced spontaneity with technique. It’s a masterclass in the philosophy and practice of street photography, and it serves as a guide for those who wish to capture moments of beauty, grace, and authenticity. Cartier-Bresson’s work remains as relevant today as it was when he first picked up his camera, and this documentary is a testament to his lasting influence on the medium.
An American Journey: In Robert Frank’s Footsteps
With parts of this film shot with a handheld camera in creative out-of-focus and the other parts with subtitles, viewing it was tough on my sensory system. And I’m not sure I learned much more about photographer Robert Frank than if I had just Googled him. The filmmakers attempted to re-create some of the steps taken by Frank for his groundbreaking body of work,, The Americans, photographed in the 1950s, by traveling to some of the locations where Frank may have shot, intermixed with people who didn’t appear to know him very well, if at all. Other stops turned up as dead ends completely.
The sound bites from photography historians and curators were the most compelling, but not exactly the intent of the film. Arriving in New York with a Frank photograph from a Fourth of July parade, the filmmakers find an aging citizen once captured in the image. But the elderly man doesn’t remember the image being made, nor Frank himself, so the whole exchange essentially falls flat. Learning about Frank’s early life in Switzerland during World War II was the only interesting information imparted. A young Frank and his German-Jewish family lived in Switzerland during the war, but lost their German nationality. Frank’s father then requested Swiss nationality.
In the film, one Swiss curator recalls the country’s own struggles during the war to remain neutral – that of hiding, censorship, and loss of freedom. After the war, Frank left for America. It makes sense that this nationless youngman would seek to unearth and examine his newly adopted home in the exploratory manner in which he did. The Americans were subject to criticism at the time (because his portrayal of some Americans was seen as incomplete or negative). As time has passed, Frank’s depictions have ultimately become revered as some of the most significant photographs in history. But did we truly follow in his footsteps with this film? I don’t think so.
The film’s portrayal of Robert Frank’s impact on American photography is inconsistent. While it attempts to trace the physical journey of his iconic work, it doesn’t succeed in capturing the true essence of his creative vision. The Americans challenged conventional photography by presenting raw, often gritty, portrayals of American life. Frank’s work was a stark contrast to the polished images that had dominated the photographic scene at the time. His images were filled with emotion, energy, and complexity, capturing the contradictions of American society in a way that had never been done before. Unfortunately, the film doesn’t delve deeply enough into what made Frank’s work so revolutionary.
If there’s anything to take away from this documentary, it’s that Robert Frank’s The Americans was a groundbreaking work of art. It questioned the status quo and forced viewers to look at America in a new light. Frank’s images were not about celebrating the idealized vision of the American dream, but about exposing its flaws and contradictions. The film may not fully capture Frank’s legacy, but The Americans remains one of the most influential photographic works of the 20th century.
Strand: Under the Dark Cloth
Paul Strand decided he wanted to be a photographer when he was a teenager after visiting Alfred Stieglitz’s gallery in New York City for the first time. And who wouldn’t? This film succeeds a bit in its coverage of Strand’s long and varied career, but the execution is oftentimes disjointed. Despite the many people interviewed for the film, the viewer is never actually told who they are. There are some nuggets there; you just really have to search for them. Strand expounds: “Find out what it is you have to say and make it work in a rectangular space.”
It’s the evolution of what Strand had to say that took on quite a journey. We learn of his beginning interest in pictorialism, which gave way to abstraction, like Matisse and Picasso at the time. Then Strand developed an admiration for street photography, creating iconic images of early 1900s Wall Street and blind street peddlers. Continuing along, Strand dabbled in nudes, landscapes, and during the Great Depression found inspiration in the light and people of New Mexico.
The film then veers pretty far off track,turn ing to Strand’s social documentary filmmaking years. But we do learn that through all of his media, he wanted to say something about the world. His unending experimentation and soul-searching speak to this desire, which makes his artistic pursuits inspiring, though the film overall is not. The documentary’s focus shifts too quickly from one phase of his work to the next, leaving little time to explore his evolving ideas in depth. However, Strand’s photographs remain profound and compelling. His work transcends time and place, capturing universal themes of human experience.
If there’s one thing Strand taught me, it’s to shoot whatever I want, whenever I want it! In-camera digital double exposure a,s well as the use of a Holga film ccamera inspired me to let loose — Strand style.
Ansel Adams: American Experience
So why even include a documentary about the one photographer who is easily a recognized household name? Because Ansel Adams: American Experience is incredibly thorough, complete, and, most of all, touching. The PBS film chronicles Adams’ upbringing in San Francisco, his hyperactivity, his father’s tender influence, unconventional education, and family. We hear letters written in his own words, learn of his love of tonal range, glossy prints, filters, pre-visualization, and observe his extensive darkroom dodging and burning techniques.
A tall and lanky Adams discovered Yosemite in 1916 and spent the rest of his life not only creating some of the most stunning images of the American West, but also making sure we would forever embrace the wild beauty of this land as well. His efforts extended as far as Washington, D.C., where Adams was a passionate environmental activist. He truly married his art, environmentalism, and activism in a way that was incredibly ahead of its time. And would you believe he’s an accomplished pianist as well? All of this is tied together with sweeping and soaring aerial footage like that of an IMAX film.
Adams’ work speaks to themes of beauty, the wild, creationand humanityty, to name a few. He tries to rein in the vastness of such wildness with his camera, while being sure to leave it ever untouched in intention as an artist was to make a picture in a way that conveyed to the viewer how the scene made him feel. As soon as he mastered this awareness, Adams felt his images were finally worthy. Photographer and Curator John Szarkowski notes in the film: “In Ansel’s best photographsraphsave the sense, you could identify the temperature, the relative humidity, the hour of the day, and the day of the month. That’s what they are about.”
The film truly breathes new life into the poetic images of Ansel Adams, who is much more than just a landscape photographer, and so much more than a mass-marketed framed print at a home goods store. He was a man whose vision transcended mere documentation and reached into the realm of profound connection to nature and the environment. The film not only highlights his iconic photographs but also gives insight into the man behind the camera.
Finding Vivian Maier
So much has been written recently about Vivian Maier’s remarkable street photography as well as John Maloof’s discovery of her work. If you’re one of the few photographers who haven’t seen this film, then for goodness'' sake, add it to your queue. In fact, move it right up to number one. Street photography has never been more inspiring, and you can’t be left out any longer.
The documentary Finding Vivian Maier presents a compelling and heart-wrenching story about a woman whose photographs remained hidden for decades. Maier, a nanny by profession, lived a quiet and somewhat mysterious life, but she was also an extraordinary photographer whose body of work was rediscovered after her death. The film reveals the hidden genius of Maier, a woman who, despite being almost entirely unknown during her lifetime, has since been recognized as one of the greatest street photographers of the 20th century.
Maier’s work is marked by its raw and unfiltered portrayal of life in the streets. She captured moments that are both striking and poignant — from the joy of children at play to the quiet dignity of ordinary people going about their daily lives. Her photographs are powerful because they convey something more than just the external appearance of the subjects. They offer a glimpse into the humanity of the people she photographed, capturing moments of vulnerability, emotion, and connection. Through her lens, Maier revealed the complexities of urban life and the subtleties of human interaction.
The documentary is not just a celebration of her photography but also a poignant exploration of her life and personality. Maier was an enigmatic figure, someone who was largely unknown and unrecognized in her own time, and yet her photographs are a testament to her vision and her unique perspective on the world. The film paints a picture of a woman who was both an outsider and an observer — someone who, despite being a private person, was deeply connected to the world around her.
What makes Finding Vivian Maier particularly moving is the sense of loss that permeates the story. Maier’s photographs, which were taken over many years and in various locations, are a glimpse into a world that she herself never fully shared. She kept her work private, and it was only through the efforts of John Maloof, a real estate agent who stumbled upon a box of Maier’s negatives at an auction, that her images came to light.
The discovery of Maier’s work is a reminder of how much talent can go unnoticed and unappreciated. In some ways, Maier’s story is one of missed opportunities — a brilliant artist who never received the recognition she deserved. Yet, at the same time, her work stands as a testament to the power of photography to capture the essence of life, even when the photographer herself remains in the shadows. Maier’s work challenges the idea of fame and recognition in the art world, and it raises important questions about what it means to be an artist and what it means for one’s work to be truly appreciated.
Born into Brothels
Documentary photographer Zana Briski invites us into the life of a typical child living in the red-light district of Calcutta and shows us how she mentors them and, ultimately, tries to get them out. Are we ever in the mood to have our hearts ripped out of our chests? Not likely. But still, lovers of photojournalism, photo mentoring, and photo philanthropy will adore this film. All others will be inspired to join these philanthropic shooters and find ways to use their photography to give back, too.
Born into Brothels is a powerful and emotional film that sheds light on the lives of children living in one of the most impoverished and dangerous areas of India. The film chronicles Zana Briski’s journey to teach photography to the children of the red-light district and how this project ultimately transformed their lives. Through her mentorship, the children were given a chance to see the world through a different lens, and their photography offered them a new sense of purpose and pride.
The documentary is a poignant exploration of the intersection between art and social justice. Briski’s work goes beyond photography; it is a powerful tool for social change. By teaching these children the art of photography, she not only gave them a creative outlet but also helped them develop confidence and a sense of agency. The film demonstrates how photography can be used as a means of empowerment, enabling individuals to tell their own stories and assert their own identities.
One of the most striking aspects of Born into Brothels is the way it captures the harsh realities of life in the red-light district. The children, most of whom are the sons and daughters of sex workers, live in a world that is filled with violence, poverty, and neglect. Yet, through the lens of their cameras, they can see beauty, even in the most difficult of circumstances. The film shows how photography can be a way of reframing one’s worldview, allowing individuals to find moments of joy and hope even in the midst of hardship.
The children’s photographs are an essential part of the film, as they provide a glimpse into their lives and their perspectives. Through their images, we see the world from their point of view — a world that is often overlooked or ignored by society. The photographs serve as a testament to the resilience and strength of these young people, who, despite their difficult circumstances, can create powerful and moving images.
At its core, Born into Brothels is a film about the transformative power of art and the importance of giving individuals the tools to express themselves. It is a reminder that photography is not just about capturing beautiful images, but about using the camera as a means of storytelling and social change. The film encourages viewers to think about the role of art in society and how it can be used to address social issues and give a voice to those who are often silenced.
The Dust Bowl
If you just want to knock your socks off with some of the most mind-blowing still photography and film footage of the unimaginable magnitude of the Dust Bowl, then just carve out a whole week to curl up with this Ken Burns production — on the biggest TV you can find. Seriously, don’t watch this on your iPad; give it the arena it deserves. And if you’re thinking, “I studied the Dust Bowl in high school. I read The Grapes of Wrath. I get the gist. I’m good.” You’re wrong. Your eyes will thank you, but your mouth will hurt from opopeningKen Burns’ The Dust Bowl is a masterpiece of documentary filmmaking. It not only provides a thorough historical account of one of the most devastating environmental disasters in American history but also offers a profound meditation on the human cost of such tragedies. The film is filled with haunting imagery of the dust storms that ravaged the American Midwest during the 1930s, and it tells the stories of the families who lived through the destruction.
One of the most striking aspects of The Dust Bowl is the way it combines powerful archival footage with the personal testimonies of survivors. The images of the dust storms — walls of dirt and debris engulfing entire towns — are nothing short of chilling. But it is the stories of the people who endured these horrors that give the film its emotional weight. Through interviews with survivors and their descendants, we learn about the resilience and determination of those who lived through the Dust Bowl.
The documentary also highlights the role of photography in capturing the tragedy of the Dust Bowl. The iconic images of farmers and their families struggling to survive amidst the swirling dust are some of the most powerful and haunting photographs ever taken. These images serve as a reminder of the human cost of environmental degradation and how photography can document the struggles and triumphs of ordinary people in extraordinary circumstances.
The film is a testament to the power of photography to convey the emotional and physical toll of environmental disasters. It shows how images can capture not only the devastation of such events but also the spirit of the people who survive them. The photographs of the Dust Bowl are more than just historical artifacts; they are a powerful visual record of a moment in time when the American heartland was forever changed.
For photographers and history enthusiasts alike, The Dust Bowl is a must-see documentary. It is a film that not only tells the story of one of the most catastrophic events in American history but also explores how photography can bear witness to the suffering and resilience of the human spirit.
Bill Cunningham New York
Bill Cunningham has been trend-spotting, with a camera in hand, for over 50 years on the streets of New York City. This spritely, shy, and elusive man with a passion for fashion buzzes around the city streets by bike, while still shooting film, to bring a colorful and quirky collage of street fashion to the pages of The New York Times. Viewers catch a rare glimpse into just a bit of Cunningham’s personal life, mixed with a whole lot of inspiration to just get out there and shoot. Photographers and the fashion-conscious alike will enjoy this ride along with a living legend. He’ll say he’s not a real photographer, but this guy knows his stuff!
Bill Cunningham New York is a charming and intimate portrait of a man who has spent his life capturing the fleeting moments of fashion on the streets of New York City. Cunningham’s passion for fashion photography is matched only by his genuine love for the people he photographs. Unlike many photographers who focus on the high-fashion world, Cunningham found his inspiration in the streets, where ordinary people expressed their personal style in ways that were often far more interesting and diverse than anything seen on the runways.
The documentary explores Cunningham’s approach to photography, which was based on his belief that fashion should be about creativity and self-expression, not about status or wealth. Cunningham was known for his ability to spot trends before they became mainstream, and his photographs were often filled with moments of spontaneity and joy. He had a remarkable ability to capture the unique style and personality of his subjects, whether they were wealthy socialites or everyday people.
The film also delves into Cunningham’s personal life, revealing his humble beginnings and his dedication to his work. Cunningham was a man who preferred to remain out of the spotlight, focusing instead on his passion for photography and his love of capturing the ever-changing fashion of the streets. Despite his success, Cunningham never sought fame or fortune. He was content to remain behind the scenes, letting his photographs speak for themselves.
Bill Cunningham New York is a celebration of both fashion and photography. It is a film that shows how the art of street photography can elevate even the most everyday moments into something extraordinary. Cunningham’s work reminds us that fashion is not just about clothing, but about how we express ourselves and our individuality.
Strand: Under the Dark Cloth
Paul Strand decided he wanted to be a photographer when he was a teenager after visiting Alfred Stieglitz’s gallery in New York City for the first time. And who wouldn’t? This film succeeds a bit in its coverage of Strand’s long and varied career, but the execution is oftentimes disjointed. Despite the many people interviewed for the film, the viewer is never actually told who they are. There are some nuggets there; you just really have to search for them. Strand expounds: “Find out what it is you have to say and make it work in a rectangular space.” It’s the evolution of what Strand had to say that took on quite a journey.
We learn of his beginning interest in pictorialism, which gave way to abstraction, like Matisse and Picasso at the time. Then Strand developed an admiration for street photography, creating iconic images of early 1900s Wall Street and blind street peddlers. Continuing along, Strand dabbled in nudes, landscapes, and during the Great Depression found inspiration in the light and people of New Mexico. The film then veers pretty far offtracka,, turning to Strand’s social documentary filmmaking years. But we do learn that through all of his media, he wanted to say something about the world. His unending experimentation and soul-searching speak to this desire, which makes his artistic pursuits inspiring, though the film overall is not.
Strand’s evolution as a photographer was not just about experimenting with styles, but about an unrelenting quest to understand the world through the medium of photography. Early in his career, Strand was heavily influenced by Pictorialism, a style of photography that emphasized artistic expression and often employed techniques that softened the image. However, as his career progressed, Strand began to embrace a more modernist approach, focusing on sharpness, clarity, and directness. His work became less about soft aesthetics and more about capturing the truth of a moment or a place, which led to his iconic images of American life during the early 20th century.
Paul Strand’s documentary work is often overlooked, but it remains a crucial part of his legacy. His contributions to social documentary photography, especially his work during the Great Depression, helped to elevate the genre. His images of rural life in New Mexico, with their stark contrast and deep emotional resonance, provide a window into the lives of people who were struggling during a difficult time in American history. Yet, despite the emotional intensity of these images, Strand’s style never seemed to be about sensationalism or exploitation; instead, it was about finding beauty and meaning in the everyday lives of ordinary people.
The film attempts to bring this complexity into focus, but it falls short in some areas. However, the value of Strand’s work itself—his commitment to seeking out and capturing the deeper truths of life through photography—is unmistakable. It’s this relentless pursuit of meaning that makes Strand such an inspiring figure for both photographers and viewers alike.
Ansel Adams: American Experience
So why even include a documentary about the one photographer who is easily a recognized household name? Because Ansel Adams: American Experience is incredibly thorough, complete, and, most of all, touching. The PBS film chronicles Adams’ upbringing in San Francisco, his hyperactivity, his father’s tender influence, unconventional education, and family. We hear letters written in his own words, learn of his love of tonal range, glossy prints, filters, pre-visualization, and observe his extensive darkroom dodging and burning techniques.
A tall and lanky Adams discovered Yosemite in 1916 and spent the rest of his life not only creating some of the most stunning images of the American West but also making sure we would forever embrace the wild beauty of this land as well. His efforts extended as far as Washington, D.C., where Adams was a passionate environmental activist. He truly married his art, environmentalism, and activism in a way that was incredibly ahead of its time. And would you believe he’s an accomplished pianist as well? All of this is tied together with sweeping and soaring aerial footage like that of an IMAX film. Adams’ work speaks to themes of beauty, the wild, creation, and humanity, to name a few. He tries to rein inn the vastness of such a wild with his camera, while being sure to leave it ever untouched. Adams’s intention as an artist was to make a picture in a way that conveyed to the viewer how the scene made him feel. As soon as he mastered this awareness, Adams felt his images were finally worthy.
The film truly breathes new life into the poetic images of Ansel Adams, who is much more than just a landscape photographer, and so much more than a mass-marketed framed print at a home goods store. He was a man whose vision transcended mere documentation and reached into the realm of profound connection to nature and the environment. The film not only highlights his iconic photographs but also gives insight into the man behind the camera. His approach was meticulous, yet his work never lost its sense of awe and reverence for the natural world. Adams’ life was defined by his deep sense of responsibility to the environment, and his photography was the medium through which he communicated his commitment to preserving the beauty of the American landscape.
Ansel Adams: American Experience is not just a tribute to his photographic achievements, but also to his character as an individual. The film reveals how Adams’ personal struggles, his devotion to his craft, and his lifelong advocacy for the environment shaped the powerful legacy he left behind. For photographers, environmentalists, and anyone who appreciates the sublime beauty of the natural world, this film is an essential watch.
An American Journey: In Robert Frank’s Footsteps
With parts of this film shot with a handheld camera in creative out-of-focus and the other parts with subtitles, viewing it was tough on my sensory system. And I’m not sure I learned much more about photographer Robert Frank than if I had just Googled him. The filmmakers attempted to re-create some of the steps taken by Frank for his groundbreaking body of work, The Americans, photographed in the 1950s, by traveling to some of the locations where Frank may have shot, intermixed with people who didn’t appear to know him very well, if at all. Other stops turned up as dead ends completely. The sound bites from photography historians and curators were the most compelling, but not exactly the intent of the film. Arriving in New York with a Frank photograph from a Fourth of July parade, the filmmakers find an aging citizen once captured in the image. But the elderly man doesn’t remember the image being made, nor Frank himself, so the whole exchange essentially falls flat.
Learning about Frank’s early life in Switzerland during World War II was the only interesting information imparted. A young Frank and his German-Jewish family lived in Switzerland during the war, but lost their German nationality. Frank’s father then requested Swiss nationality. In the film, one Swiss curator recalls the country’s own struggles during the war to remain neutral — that of hiding, censorship, and loss of freedom. After the war, Frank left for America. It makes sense that this nationless young man would seek to unearth and examine his newly adopted home in the exploratory manner in which he did. The Americans were subject to criticism at the time (because his portrayal of some Americans was seen as incomplete or negative). As time has passed, Frank’s depictions have ultimately become revered as some of the most significant photographs in history. But did we truly follow in his footsteps with this film? I don’t think so.
Despite its shortcomings, the film does manage to present some interesting reflections on Frank’s work and his unique contribution to the world of photography. Robert Frank’s approach was groundbreaking because he sought to depict the truth of America as he saw it, unfiltered and unsentimental. His images were raw, candid, and at times controversial, yet they painted a portrait of a country that was far from the idealized version often presented in the media. Frank’s work challenged the notion of what a photograph could be, and his influence can still be seen in contemporary photography today.
An American Journey: In Robert Frank’s Footsteps may not be the most comprehensive documentary about Frank, but it serves as a reminder of the power of photography to capture the complexities of the human experience. Frank’s photographs are still a poignant exploration of identity, culture, and the social fabric of America, and his legacy as a photographer remains deeply influential.
Henri Cartier-Bresson: The Impassioned Eye
This film invites the viewer into Henri Cartier-Bresson’s Parisian living room to sit across from the photographer, white wine in hand, as he flashes exquisite black-and-white prints and shares stories of each in what has to be the best slideshow ever! Cartier-Bresson is known for his decisive moment approach to shooting, as well as his affinity for visual geometry. Both of these elements are discussed at length, with rich commentary by Cartier-Bresson and others — playwright Arthur Miller and photographer Elliott Erwitt included. Combine that with a to-die-for tonal range, and you’ve got a film teeming with a symphony for the eyes and ears. But it’s Cartier-Bresson’s own eye that is truly gifted.
He reveals: “My passion has never been for photography itself, but for the possibility of forgetting yourself and…of capturing in a fraction of a second the emotion of a subject and the beauty of form. There’s a natural geometry in what we see. I don’t have a message, I’m not trying to prove anything — you see, you feel, and the surprised eye responds.” Cartier-Bresson also describes his love for things like structure, rhythm, scale, and shape — all adding up to a visual geometry so unique to Cartier-Bresson’s body of work. A lover of music, poetry, and art of many mediums, he is an artist at his core. And while you’ll easily want pen and paper in hand for the many technical and “seizing the moment” discussions, it’s his persona that is the most inspiring.
Cartier-Bresson’s philosophy of photography — capturing the decisive moment — has had an immeasurable impact on both street photography and photojournalism. His ability to find moments of beauty, grace, and drama in everyday life was nothing short of genius. The film showcases his understanding of visual geometry, how he saw the world in terms of patterns, shapes, and forms, and how this understanding informed his photography. Cartier-Bresson was not just a photographer; he was an artist who could take ordinary scenes and turn them into extraordinary moments.
The film also reveals a side of Cartier-Bresson that is often overlooked — his calm and peaceful demeanor, which contrasts sharply with the intensity and precision of his work. Watching him reflect on his own images, it’s clear that his connection to photography was not about fame or recognition, but about a deep, personal understanding of the world around him. For him, photography was not an act of self-promotion but a way of engaging with the world more profoundly.
Finding Vivian Maier
Vivian Maier was an enigmatic figure whose life and work remained largely unknown until after her death. Finding Vivian Maier is a documentary that uncovers the extraordinary life of this reclusive nanny, whose street photography captured the beauty and complexity of urban life. Her images, many of which were found in boxes of undeveloped film rolls, have since been hailed as some of the most significant street photography of the 20th century.
The film delves into the mystery of Maier’s life and the discovery of her work, which was almost lost to history. John Maloof, a historian and collector, stumbled upon a box of her photographs at an auction and was immediately struck by their quality and composition. As he dug deeper into Maier’s life, he uncovered a wealth of photographs that had never been shared with the public. It wasn’t long before her work began to gain recognition, and Maier’s photography was celebrated posthumously as some of the most compelling and insightful images of mid-20th-century America.
One of the most fascinating aspects of Finding Vivian Maier is the contrast between the person she was in her everyday life and the artist she was behind the camera. Maier was a deeply private woman who worked as a nanny for most of her adult life, but she was also a passionate photographer who spent years capturing the world around her. Her images are intimate, raw, and unfiltered, providing a window into the lives of everyday people. She photographed everything — from the hustle and bustle of city streets to quiet moments of reflection in parks — always capturing the essence of a fleeting moment.
Despite her immense talent, Maier’s work remained largely unseen during her lifetime. This documentary brings to light the powerful impact of her photography, showing how she captured a vision of the world that was both personal and universal. Her images are a testament to the beauty and complexity of human life, and they remind us that art can be found in the most unexpected places.
The film also raises important questions about the nature of art, authorship, and recognition. Maier never sought fame or recognition for her work, and much of her photography was kept hidden throughout her life. In a way, her art is a reflection of the artist herself: elusive, mysterious, and deeply personal. While Finding Vivian Maier offers a glimpse into the life of this remarkable woman, it also reminds us of the power of photography to capture moments of beauty and truth, even when the artist is not seeking the spotlight.
Born into Brothels
Born into Brothels is a powerful documentary that explores the lives of children living in the red-light district of Calcutta, India, and the transformative power of photography. Directed by Zana Briski, the film follows her efforts to teach photography to children whose lives are marked by poverty, abuse, and neglect. Through her lens, Briski gives voice to these children, allowing them to tell their own stories and share their experiences with the world.
The film centers on a group of children living in one of the most dangerous and impoverished areas of Calcutta. The children, whose mothers work as prostitutes in the red-light district, are often neglected and overlooked by society. Many of them are forced to grow up too quickly, facing harsh realities from a very young age. However, Briski’s photography program offers them a chance to see the world in a new light — both literally and figuratively. Through photography, the children can capture their own experiences, giving them a sense of empowerment and agency that they had never known before.
What makes Born into Brothels so poignant is the way it highlights the importance of art and creativity in transforming lives. Through the simple act of teaching the children how to use a camera, Briski gives them a tool for self-expression and a means of documenting their own realities. The film shows how photography can be a powerful force for change, helping people who are often marginalized and oppressed to take control of their own narrative.
The documentary also raises important questions about privilege, poverty, and the role of the photographer. Briski’s position as a foreigner in Calcutta is complex, as she is both an outsider and an advocate for the children she is trying to help. The film examines the ethical challenges of working in such a community and the potential for exploitation or misunderstanding. Yet, through Briski’s genuine care and dedication, the children are allowed to showcase their talents and their stories, shedding light on the hidden lives of those living in the shadows of society.
In the end, Born into Brothels is not just a story about poverty or exploitation; it is a celebration of resilience, hope, and the power of art to change lives. The children in the film are not just victims of their circumstances; they are active participants in their own transformation, and their photographs become a testament to their strength and creativity. This documentary serves as a reminder that photography is not only a means of documenting the world, but also a tool for social change and empowerment.
The Dust Bowl
Ken Burns’ The Dust Bowl is a sweeping, epic documentary that chronicles one of the most devastating environmental disasters in American history. Through a combination of archival footage, photographs, and firsthand accounts, the film captures the human toll of the Dust Bowl and its lasting impact on the American landscape. The documentary brings to light the stories of the people who lived through the Dust Bowl and the resilience they showed in the face of overwhelming adversity.
The Dust Bowl was a period of severe dust storms that struck the Great Plains in the 1930s, caused by a combination of drought, poor farming practices, and economic hardship. The documentary explores the devastating effects of the disaster on both the environment and the people who lived in the affected areas. It paints a vivid picture of the immense suffering experienced by families who lost their homes, their crops, and their livelihoods to the relentless winds and dust.
What makes The Dust Bowl so compelling is the way it intertwines personal stories with historical context. The film not only presents the facts and figures of the Dust Bowl but also gives voice to the people who lived through it. Through interviews with survivors and their descendants, the documentary brings a human face to the disaster, showing how the Dust Bowl affected entire communities and shaped the lives of generations to come.
One of the most striking aspects of the documentary is its use of photographs from the time period. The iconic images captured by photographers like Dorothea Lange and Arthur Rothstein serve as a haunting reminder of the suffering endured by those living in the Dust Bowl. These photographs, combined with the testimonies of survivors, give the viewer a powerful sense of the scale of the disaster and its emotional impact.
In addition to the human stories, The Dust Bowl also explores the environmental causes and consequences of the disaster. The film examines the role of farming practices in exacerbating the situation and the long-term effects of the Dust Bowl on the American landscape. It highlights the importance of sustainable agriculture and the need to balance economic growth with environmental responsibility.
Ultimately, The Dust Bowl is a film about survival, perseverance, and the ability of people to rebuild their lives in the face of seemingly insurmountable odds. It serves as both a historical lesson and a cautionary tale about the dangers of environmental destruction. The documentary reminds us that the natural world is fragile and that human actions have far-reaching consequences. Through its stunning visuals and powerful storytelling, The Dust Bowl offers a poignant reflection on the resilience of the human spirit and the importance of environmental stewardship.
Bill Cunningham New York
Bill Cunningham’s work as a fashion photographer for The New York Times is legendary, but his life and personality were even more fascinating than his images. Bill Cunningham New York is a documentary that captures the essence of this eccentric and beloved figure, offering a rare glimpse into his world and his creative process. The film follows Cunningham as he captures the fashion trends of New York City, riding his bike through the streets with his camera in hand, always in search of the next great shot.
What sets Cunningham apart from other fashion photographers is his commitment to capturing real-life fashion on the streets, rather than staged photo shoots. He had an uncanny ability to spot emerging trends and unique personal styles, often photographing people who were not part of the fashion elite but were simply expressing themselves through their clothing. Cunningham’s approach was democratic; he believed that fashion was for everyone, not just the wealthy or famous.
The documentary highlights Cunningham’s deep passion for fashion and his relentless dedication to his craft. He was a man who lived for his work, often spending hours on the streets of New York City, photographing anyone who caught his eye. His love for fashion was not about the clothes themselves, but about how they reflected the personality and spirit of the wearer. Cunningham believed that fashion was a form of self-expression and that everyone had a unique story to tell through their clothing.
Bill Cunningham New York also offers insight into Cunningham’s personal life, which he kept largely private. Despite his fame, Cunningham remained humble and unpretentious, never seeking the spotlight or financial gain from his work. He lived modestly, often working out of his small apartment and dedicating nearly all of his time to photography. The film shows how Cunningham’s life was a reflection of his values: he was a man who valued authenticity, creativity, and the joy of capturing the world around him.
Ultimately, Bill Cunningham New York is a celebration of a man who dedicated his life to his art and his love of fashion. Through his lens, Cunningham captured the vibrant and diverse fashion of New York City, showcasing the beauty of everyday life. The documentary reminds us that photography is not just about capturing the perfect image, but about finding meaning in the world around us and sharing that vision with others.
Visual Acoustics: The Modernism of Julius Shulman
The documentary Visual Acoustics: The Modernism of Julius Shulman is a captivating exploration of the life and legacy of one of the most influential architectural photographers of the 20th century. Narrated by actor Dustin Hoffman, the film chronicles Julius Shulman’s role in shaping the visual language of mid-century modern architecture, particularly in Southern California. Through a series of interviews, archival footage, and a retrospective on Shulman’s work, the film offers an intimate look at how his photography changed the way people viewed architecture and design.
Shulman was not just a photographer; he was an ambassador for modernism. He spent over six decades capturing iconic buildings and spaces, many of which have since become symbols of mid-century design. His images of homes designed by legendary architects like Frank Lloyd Wright, Richard Neutra, and Pierre Koenig, among others, helped to elevate modern architecture and make it accessible to the public. His work is often credited with popularizing the sleek lines, open spaces, and integration of nature that became hallmarks of mid-century modernism.
One of the key themes of Visual Acoustics is the symbiotic relationship between architecture and nature. Shulman’s photography often emphasized the seamless integration of indoor and outdoor spaces, a characteristic feature of modernist design. His ability to capture the interplay of light, shadows, and natural surroundings in his images brought these buildings to life in ways that had never been seen before. For Shulman, the goal was not just to document a building but to capture its essence — how it felt to be inside or around it.
The film also highlights Shulman’s passion for his craft. He was known for his meticulous attention to detail, often spending hours setting up the perfect shot. He would wait for the right light, the right angle, and the right moment before taking a photograph. This dedication to perfection is evident in his work, which remains timeless and influential to this day. For Shulman, photography was not just about taking pictures; it was about telling stories and evoking emotions through the lens.
Visual Acoustics offers a rare glimpse into the mind of a photographer who shaped the way we see architecture. Through his images, Shulman gave us a new perspective on the spaces we inhabit, highlighting the beauty and functionality of modernist design. His work continues to inspire architects, designers, and photographers alike, and this documentary serves as a tribute to his lasting impact on the field of architectural photography.
National Geographic: The Photographers
The 1998 documentary National Geographic: The Photographers is a fascinating exploration of the world of photojournalism and the men and women behind the iconic images published in National Geographic magazine. The film features interviews with some of the publication’s most renowned photographers, including Sam Abell, Steve McCurry, and Michael “Nick” Nichols, who share their experiences of capturing images in some of the most remote and dangerous parts of the world. The documentary provides a rare behind-the-scenes look at what it takes to be a National Geographic photographer, from the physical challenges of working in extreme conditions to the emotional toll of documenting human suffering.
One of the central themes of the film is the concept of “storytelling through images.” As McCurry puts it, a great photograph is one that not only captures a moment in time but also tells a compelling story. National Geographic: The Photographers explores how these photographers use their cameras to document the world in ways that inform, educate, and inspire. Through their work, they help bring attention to important issues such as wildlife conservation, climate change, and social justice.
The documentary also delves into the personal sacrifices that come with being a photojournalist. The photographers featured in the film have spent years traveling to war zones, remote villages, and wilderness areas, often at great personal risk. They face extreme physical and emotional challenges in their pursuit of the perfect shot, and yet they remain driven by a passion for their work and a deep commitment to telling the stories of the people and places they photograph.
In addition to its exploration of the photographers’ experiences, National Geographic: The Photographers also provides insight into the technical aspects of photojournalism. The film showcases the tools and techniques used by these photographers to capture their images, from the equipment they use to the methods they employ to compose their shots. This aspect of the documentary is especially valuable for aspiring photographers, as it offers practical advice and inspiration from some of the best in the field.
Overall, National Geographic: The Photographers is a celebration of the art of photojournalism and the individuals who dedicate their lives to capturing the world’s most important stories. The documentary provides a rare and intimate look at the lives of the photographers who have brought some of the most iconic images to our coffee tables, offering a deeper understanding of the challenges and rewards of working in the field of visual storytelling.
William Eggleston in the Real World
In the 2005 documentary William Eggleston in the Real World, the legendary photographer William Eggleston reflects on his pioneering work in color photography. Known for his distinctive approach to everyday scenes, Eggleston is often credited with bringing color photography into the fine art world, challenging the traditional dominance of black-and-white photography. The film offers a unique glimpse into Eggleston’s artistic process, providing insight into his creative vision and his ability to find beauty in the mundane.
Eggleston’s work has often been described as both ordinary and extraordinary. He captures seemingly mundane scenes — a parking lot, a soda can, a street corner — and transforms them into visually striking compositions. His use of color, light, and perspective gives new life to these everyday objects, turning them into subjects of artistic contemplation. The documentary reveals Eggleston’s philosophy that the beauty of the world can be found in the most ordinary places. He once said, “I am at war with the obvious,” a sentiment that perfectly encapsulates his approach to photography.
The film also explores the controversy surrounding Eggleston’s work. When his color photographs were first exhibited in 1976 at the Museum of Modern Art, they were met with criticism and skepticism. Many critics, including the renowned photographer Ansel Adams, dismissed Eggleston’s work as “snapshots” rather than fine art. Over time, however, Eggleston’s images gained recognition, and he is now regarded as one of the most important photographers of the 20th century.
Throughout the documentary, Eggleston is shown at work, carefully observing the world around him. He often spends hours scouting locations, waiting for the right moment to capture an image. His ability to see beauty in the most mundane scenes is one of the hallmarks of his work. The film also highlights Eggleston’s use of perspective, which is often unconventional and unpredictable. His photographs are filled with layers of meaning, and his compositions are often disorienting, forcing the viewer to reconsider the way they see the world.
One of the most fascinating aspects of William Eggleston in the Real World is the photographer’s ability to evoke a sense of intimacy with his subjects. Whether he is photographing a person, a landscape, or an inanimate object, Eggleston’s images feel deeply personal. His photographs seem to invite the viewer into his world, offering a glimpse into his unique vision of reality. The documentary captures this sense of intimacy, showing how Eggleston’s work reflects his own thoughts, feelings, and perceptions.
Ultimately, William Eggleston in the Real World is a celebration of the artist’s groundbreaking contributions to the world of photography. His work continues to inspire photographers today, and the documentary offers a valuable opportunity to gain insight into the creative process of one of the most influential photographers of our time.
Gregory Crewdson: Brief Encounters
In Gregory Crewdson: Brief Encounters (2012), the viewer is taken into the world of one of contemporary photography’s most enigmatic and cinematic figures. Crewdson’s photographs are known for their elaborate staging, high production value, and surreal, often haunting quality. His images are meticulously planned and constructed, akin to scenes from a movie, and the documentary follows him as he creates these large-scale, emotionally charged works.
Crewdson’s work is deeply influenced by his upbringing in small-town Massachusetts, as well as his fascination with films, especially those of Alfred Hitchcock. His photographs often depict suburban settings, capturing moments of mystery, tension, and emotional complexity. The film offers an inside look at Crewdson’s process, from conceptualization to execution. He works with large crews, including lighting technicians, set designers, and actors, to create each photograph. His images are carefully constructed, with every detail meticulously arranged to evoke a specific emotional response.
The film also explores Crewdson’s personal life and his relationship to the themes in his work. Much of his photography deals with isolation, alienation, and the emotional undercurrents that exist beneath the surface of everyday life. Crewdson reflects on how his childhood and family dynamics influenced his photography, as well as his ongoing exploration of human psychology and the darker aspects of life. Through his work, Crewdson seeks to capture moments of vulnerability and tension, often with a sense of impending doom.
The documentary provides an intimate portrait of Crewdson as both an artist and a person. It shows his commitment to his craft, his perfectionism, and his relentless drive to create images that are both visually stunning and emotionally resonant. Through Gregory Crewdson: Brief Encounters, we gain a deeper understanding of the artist’s vision and the complexities of his work. It is a fascinating exploration of the intersection between photography, cinema, and human emotion, and a testament to the power of photography to tell stories that words alone cannot.
Conclusion:
Photography documentaries, as explored in this series, are more than just a visual journey through the lens of renowned photographers; they are intimate windows into the artistry, struggles, and philosophies that drive the creation of powerful images. From the hidden life of Vivian Maier to the grand scale of Ansel Adams' landscapes, each documentary provides an invaluable glimpse into the world of photography, not just as an art form but as a means of storytelling, expression, and reflection of human experience.
In examining the work of figures like Julius Shulman, William Eggleston, and Gregory Crewdson, we see how photography can transcend mere documentation to become an art that interprets reality, shapes culture, and sparks emotional responses. These filmmakers have shown us that photography is not only about capturing moments but also about understanding the deeper connections between space, light, subjects, and the photographer’s own vision.
At the core of every photographer’s work is a profound desire to connect with the world around them. Whether it’s capturing the ordinary in vibrant color, documenting the human condition in a raw and candid manner, or creating meticulously staged scenes, these documentaries remind us that photography is a powerful tool that allows us to tell stories, evoke emotions, and share perspectives with others in ways that words alone cannot.
Through these films, we are also reminded of the profound impact photography can have on society. The way we view the world is often shaped by the images we see, and photographers have the power to influence that vision. From social change to environmental awareness, the lens can be a catalyst for reflection, dialogue, and action.
In the end, photography documentaries like these inspire us to approach the world with curiosity, to look beyond the obvious, and to seek out the stories waiting to be told in every frame. They encourage us to embrace the act of seeing — not just with our eyes, but with our hearts and minds. Whether we are capturing our own images or appreciating the work of masters, these documentaries invite us to find meaning in the moments we capture and to remember that the world is full of beauty, complexity, and stories waiting to be shared through the art of photography.
