In the digital age where playlists dominate and physical media fades into niche territory, album artwork still holds an unshakeable place in the visual and emotional experience of music. Whether we encounter it in thumbnails on our favorite streaming services, glimpse it during live performances, or see it featured on mainstream television programs like The Graham Norton Show, the album cover remains an essential storytelling tool—a silent herald of the sonic worlds within.
As our cultural landscape grows increasingly visual, the connection between audio and imagery deepens. Recognizing this, the Best Art Vinyl Awards have once again returned in 2025, now in their 18th year, to celebrate and uplift the most captivating, boundary-pushing, and imaginative album designs of the year. These awards don’t merely nod to aesthetic appeal—they honor the artistic spirit behind some of the most unforgettable music releases.
Hosted at The Collection and Usher Gallery in Lincoln, UK, this year’s exhibition runs until 12 December, transforming the space into a sanctuary for design enthusiasts, audiophiles, and casual viewers alike. The gallery invites attendees not only to view the shortlisted covers but to cast their votes, actively participating in defining what makes visual music history in 2025.
The Intersection of Sound and Sight: Why Album Art Still Matters
Though vinyl records no longer dominate sales charts, the significance of album artwork has not waned—it has simply evolved. As platforms like Spotify, Apple Music, and Tidal reduce physical interaction with music, the album cover is often the first and sometimes the only visual context listeners receive. This single image can convey mood, tone, genre, and narrative within seconds, operating as an ambassador for the artist’s voice and ethos.
In this visual-first era, artists and designers are increasingly experimenting with hybrid styles, merging traditional and digital methods to create covers that both stun and stir. This year’s shortlist is proof of that convergence. The result is a medley of compelling visuals that span surreal photography, digital collage, tactile illustration, and architectural abstraction—each one a miniature gallery exhibit in its own right.
2025’s Best Art Vinyl Shortlist: A Symphony of Design
The 2025 Best Art Vinyl Shortlist is a breathtaking panorama of visual and musical synergy—a kaleidoscopic collection that blends the abstract with the tactile, the nostalgic with the futuristic. Curated by a meticulous panel comprising art directors, musicians, cultural critics, and industry stalwarts, this year’s selection of 50 stunning record sleeves is nothing short of a visual opera. Each piece is a finely tuned aesthetic expression, a mirror to the music it envelopes. This list is more than a showcase—it’s an archive of contemporary artistry, where album artwork continues to assert its power as an extension of the sonic experience.
The following entries from the 2025 shortlist aren’t just album covers. They are vessels of meaning, punctuated by deft artistic choices that resonate across time, genre, and imagination. They illustrate the resurgence of vinyl culture, wherein tangible design marries the ephemeral pulse of sound, elevating both.
Two Door Cinema Club – Keep On Smiling
A joyous riot of color and whimsy, the album cover for Keep On Smiling is a fever dream realized by British artist Alan Fears. Known for his peculiar blend of naïve art, surrealist eccentricity, and pop art homage, Fears channels unrestrained exuberance into this visual concoction. The characters appear gleefully distorted, suspended in mid-action, grinning like caricatures from a dream you half-remember. Saturated hues burst across the canvas in a manner reminiscent of 1960s counterculture posters, evoking a euphoric dissonance that fits hand-in-glove with the band’s buoyant indie-pop sound.
Fears' hand-drawn sensibility imbues the design with authenticity and sentimentality, a childlike world far removed from algorithm-driven digital art. The artwork is irreverent, unpredictable, and disarmingly heartfelt—a perfect analog to a record steeped in unfiltered positivity.
Dry Cleaning – Stumpwork
Stumpwork, the sophomore album from post-punk raconteurs Dry Cleaning, arrives enveloped in an unsettling yet entrancing tableau. Crafted through a collaboration between photographer Annie Collinge and the innovative design duo Rottingdean Bazaar, the cover art reimagines the domestic as the extraordinary. Collinge’s lens turns everyday objects—carpets, towels, ceramic figurines—into totems of psychological intrigue, while Rottingdean Bazaar's composition distills surrealism from the banal.
The result is an uncanny domestic scene brimming with contradiction. There’s a dreamlike tranquility to it, but also a latent tension, as though the set were caught between two realities. This visual liminality mirrors Dry Cleaning’s signature lyrical style—wry, fragmented, and often surreal. It’s a visual poem in static form, offering a strangely soothing discomfort.
Tears for Fears – The Tipping Point
Catalan artist Cinta Vidal brings architectural impossibility to life in her mesmerizing work for The Tipping Point by Tears for Fears. Known for her gravity-defying structures and layered perspectives, Vidal constructs an existential riddle in paint. Skyscrapers curve into staircases, windows hang in mid-air, and entire cityscapes invert in Escher-like patterns.
This visual ambiguity directly reflects the thematic richness of the album. The music speaks of transformation, of personal and societal instability, and Vidal’s artwork interprets that fragility through form. Every corner of the image suggests movement—of mind, space, and time. It’s an artistic paradox: rigid architectural lines conveying the instability of the human experience.
Black Country, New Road – Ants From Up There
Simon Monk’s work on Ants From Up There leans into a delicate tension between quietude and intensity. The cover features everyday objects painted with painstaking realism, but the simplicity is deceptive. Beneath each brushstroke lies a sense of longing, of waiting. A chair left empty, a teacup mid-sip—each object feels like a fragment from a forgotten narrative.
Monk's style echoes photorealism but bends toward symbolism. The imagery compels the viewer to assign meaning, to construct stories in the silence. It’s a brilliant counterpoint to Black Country, New Road’s sweeping emotional palette—music that finds drama in minutiae and transforms the mundane into the monumental.
Gabriels – Angels & Queens Part I
Melodie McDaniel’s photographic cover for Angels & Queens Part I is a masterclass in lighting and mood. Working in harmony with designer Jamie Parkhurt, McDaniel captures a moment drenched in cinematic warmth. The central portrait is both intimate and grandiose, wrapped in shadows and golden tones that evoke vintage soul records without feeling derivative.
This artwork stands as a visual bridge between eras. It draws upon the sacred lineage of gospel and soul, even as it embraces the aesthetics of modern fine-art photography. The subject’s expression—quietly regal, enigmatically emotive—invites the viewer to linger. It’s a modern-day iconography where light, shadow, and soul coalesce.
Birds In Row – Gris Klein
The album cover for Gris Klein, designed by Bart Balboa, is a visceral eruption of contrasts. Dark and brooding yet shot through with luminescence, the image walks a tightrope between rage and fragility. Layers of gritty texture interplay with high-contrast lighting, creating a chiaroscuro environment where emotion pulsates just below the surface.
There’s a rawness to Balboa’s approach—one that aligns with the band's searing post-hardcore intensity. The visual language speaks of brokenness and beauty, collapse and resurgence. It’s a confrontation with vulnerability, not as weakness, but as a crucible of catharsis.
Chase & Status – What Came Before
Visual trio Crown & Owls deliver a high-concept, visually charged piece for What Came Before. This artwork reads like a frame from a dystopian film—rich in atmosphere, saturated with narrative suggestion. Every element, from the lighting to the set design, is meticulously crafted, creating a sense of story without a single word.
The image feels like a convergence of multiple visual disciplines—cinematography, digital art, fashion editorials, and futurism. It channels the energy of graphic novels and noir cinema, all while retaining a unique visual identity. The emotional intensity of Chase & Status’ music finds its match in this intricately orchestrated image.
Danger Mouse & Black Thought – Cheat Codes
Jacob Escobedo conjures a visual symphony with his cover for Cheat Codes, blending psychedelic motifs with retro funk elements. The design feels like a visual mixtape—layered, kaleidoscopic, and dense with esoteric symbols. Abstract figures intertwine with cosmic patterns, as if imagined during a lucid dream on a vintage soul frequency.
Escobedo’s art style is unmistakably saturated in heritage yet unchained by nostalgia. It references the cultural lexicon of funk, soul, and hip-hop while building a completely fresh aesthetic terrain. Every inch of the artwork is embedded with movement, rhythm, and layered meaning—perfectly matching the genre-blurring genius of the record.
Spoon – Lucifer On The Moon
Edel Rodriguez brings his signature starkness to Lucifer On The Moon. Known for political imagery that resonates globally, Rodriguez tones down the bombast here in favor of nuance. The figure on the cover—emerging from shadow, possibly descending or rising—plays with allegorical ambiguity. Is it a descent into darkness or an ascent through rebellion?
The power of this artwork lies in its openness to interpretation. With a limited color palette and minimalist composition, Rodriguez conjures a weighty emotional response. It mirrors the album’s exploration of duality, isolation, and inner turmoil, drawing the listener inward, into contemplation.
Kula Shaker – 1st Congregational Church of Eternal Love (and Free Hugs)
Designed by the ever-eclectic Stylorouge, this cover is a tapestry of irony and spiritual resonance. Playful cartoonish illustrations dance with psychedelic symmetry. Sacred motifs blend with humorous asides, creating a piece that is both sincere and self-aware.
This paradox is at the heart of Kula Shaker’s musical ethos: the search for transcendence tinged with human fallibility. The artwork becomes a visual sermon—irreverent yet reverent, modern yet mythic. It invites listeners into a multicolored sanctuary where love, music, and laughter coexist.
Enter the Gungeon Soundtrack
The cover for the Enter the Gungeon soundtrack, brought to life by Joseph Harmon, is an electrifying visual translation of the game's chaotic universe. This is not just artwork—it’s kinetic energy frozen in time. Cartoonish characters erupt from the frame in a whirlwind of bullets, explosions, and bold lines.
Harmon captures the essence of pixelated anarchy, translating 8-bit adrenaline into a hand-drawn realm. The composition exudes motion, making the viewer feel as if they’ve been pulled into the heart of the dungeon. It stands as a singular testament to the potency of video game soundtracks and their capacity for immersive storytelling.
Retrospective Showcase: Decades of Iconic Album Art
In celebration of the 18th anniversary of the Best Art Vinyl Awards, a parallel exhibition offers a captivating journey through more than seven decades of album cover design. Running until 22 January 2026 in Lincoln, this retrospective exhibition is not just a look back—it is an immersive homage to the legacy, evolution, and cultural resonance of album art. It bridges the gap between auditory experiences and visual storytelling, offering a chronicle of how artwork has defined, amplified, and often transformed the music it represents.
More than a static display, this curated showcase is a dynamic conversation between eras. It connects the tactile nostalgia of vinyl sleeves with modern design ideologies and digital reinterpretations, anchoring the visitor in a vivid cross-temporal dialogue. From the earliest mass-market visual branding experiments to boundary-pushing contemporary masterpieces, this exhibition exudes both reverence and curiosity.
The Genesis of the Album Cover: Alex Steinweiss
The exhibition fittingly begins with the pioneering contributions of Alex Steinweiss, the figure widely credited as the father of modern album cover design. In the late 1940s, Steinweiss revolutionized the music industry by introducing illustrated record sleeves that replaced plain brown paper packaging. His vibrant, stylized approach transformed albums from mere audio products into collectible works of art. His use of bold typography, theatrical composition, and artistic whimsy set a new standard that shifted public perception: albums were no longer just about sound—they were objects of visual desire.
Steinweiss’s influence extended beyond aesthetics. He introduced the concept of visual branding for music, helping record labels distinguish their artists not just sonically, but through unforgettable visual identities. The early designs in the retrospective underscore how his work paved the way for future designers to explore conceptual depth and visual narrative within a 12-inch canvas.
Miles Davis – Bitches Brew
One of the exhibition’s emotional and artistic peaks is the display of Miles Davis’ Bitches Brew, an album whose cover art changed the visual language of jazz. Painted by Mati Klarwein, the psychedelic and surrealist imagery encapsulated the album’s genre-defying fusion. The artwork’s hypnotic figures, cosmic landscapes, and flowing symbolism mirrored the musical turbulence and spontaneity within. It wasn’t merely decorative; it was dialogic—responding to the music with interpretive abstraction.
This cover marks a key moment in music history where jazz embraced a radical visual ethos, challenging the buttoned-up imagery of earlier jazz releases. The fluidity between art, culture, and sound became more pronounced, and Klarwein’s vivid palette and mystical symbology became emblems of jazz’s revolutionary spirit.
Nick Drake – Pink Moon
From the maximalism of Davis to the whisper-quiet resonance of Nick Drake’s Pink Moon, the exhibition juxtaposes artistic approaches with emotional clarity. The sleeve, designed with minimalist elegance, features a dreamlike lunar face drifting over a somber horizon. This sparse, symbolic aesthetic reflects the introspective melancholy embedded in Drake’s haunting melodies.
The artwork’s subdued surrealism offers a sense of poetic distance. There's a delicate alienation in the visual that mirrors the ethereal loneliness of Drake’s music. The quiet restraint speaks volumes, demonstrating how silence and space can be powerful visual tools when aligned with sonic subtlety.
Grace Jones – Nightclubbing
An exploration of visual power reaches its apex in Grace Jones’ Nightclubbing. Photographed by Jean-Paul Goude, the cover blends fashion, art, and radical identity into a potent cultural symbol. With her sculpted pose, slick back hair, and sharply contoured features, Jones exudes androgyny and sovereignty. The imagery walks the razor's edge between glamour and subversion, establishing a blueprint for future intersections between music and haute couture.
This cover didn’t just sell an album—it sold an ideology. Grace Jones was not merely a performer; she was a walking installation of postmodern identity. The visual commands attention and speaks of transformation, offering a perfect pairing with her avant-garde blend of reggae, funk, and new wave.
The Strokes – Is This It
Fast-forwarding to the early 2000s, the raw edge of The Strokes’ Is This It is represented by its audacious and minimalist cover. The original version—featuring a black leather glove resting suggestively on a bare hip—was provocative, sleek, and unflinchingly urban. Designed by Colin Lane, the image distilled the album’s irreverent cool into a single arresting snapshot.
Though censored in some markets, the artwork retained its impact, standing as a symbol of the indie rock renaissance. Its stripped-down composition and monochromatic aesthetic mirror the band's revivalist sound, drawing clear lines between raw authenticity and stylish disaffection. This cover's legacy lies in its unapologetic restraint, proving that minimalism, when paired with subtext, can be deeply evocative.
Run the Jewels – Run the Jewels 3
In an era of hyper-visual social media and branding, Run the Jewels 3 by Killer Mike and El-P exemplifies how contemporary artists manipulate visual identity. The cover, featuring the now-iconic hand gestures—fist and finger—rendered in gleaming metallics, becomes a digital-age emblem as much as a physical artifact. Created by Timothy Saccenti, the image resonates far beyond the album, appearing on murals, merchandise, and memes.
This symbol-heavy design embraces remix culture. It’s instantly recognizable yet endlessly adaptable, redefining how branding functions within the modern hip-hop ecosystem. It bridges art, activism, and commerce—speaking to themes of resistance, unity, and cultural power.
The Beatles – Sgt. Pepper’s Lonely Hearts Club Band
No retrospective of album art would be complete without The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band, a paradigmatic example of complex narrative design. Crafted by Peter Blake and Jann Haworth, the cover is a densely populated collage featuring historical figures, cultural icons, and surreal elements. This revolutionary artwork transformed album packaging into a site of interpretive exploration.
Beyond its visual allure, the cover encapsulated a zeitgeist. It was playful yet profound, theatrical yet sincere. It mirrored the album’s kaleidoscopic experimentation and became a pop culture relic studied as much for its semiotics as its sonic legacy. The cover is a thesis on how visual density can parallel musical opulence.
Unexpected Collaborations and Artistic Cross-Pollination
The retrospective doesn’t limit itself to mainstream milestones. It illuminates how unexpected collaborations and high art infiltrate music packaging. One notable example is Blur’s Think Tank, whose cover was designed by the enigmatic street artist Banksy. The piece fuses guerrilla art sensibilities with mainstream reach, echoing the subversive edge of the album.
Another highlight is the Fleet Foxes release featuring a painting by Pieter Bruegel the Elder, proving that centuries-old masterpieces can find new life as album art. By juxtaposing Renaissance pastoral imagery with modern folk-rock, the band made a statement about artistic lineage and the universality of aesthetic resonance.
These instances highlight how album art straddles multiple worlds: it is at once graphic design, personal mythology, historical dialogue, and visual provocation. It exists in the liminal space between gallery wall and record store bin, redefining its purpose with every generation.
The Ongoing Cultural Significance of Album Art
This retrospective is more than an archive—it’s a cultural lens. As visitors wander through this visual anthology, they engage with the progression of identity, ideology, and visual language in music. The exhibit demonstrates that album covers are not passive packaging but active participants in the musical journey. They guide perception, create anticipation, and often become synonymous with the albums they represent.
In today’s era of streaming and digital ephemerality, the resurgence of vinyl has rekindled the importance of visual storytelling. Collectors, designers, and musicians alike now see the album cover not as an afterthought but as an essential part of the artistic equation. This retrospective makes a powerful case for album art as a medium that deserves academic, cultural, and artistic reverence.
The 18th year of the Best Art Vinyl Awards is not just a celebration of this year’s triumphs; it’s a tribute to a visual legacy that continues to evolve. From the birth of cover art in post-war America to its current incarnation as a multidimensional platform for identity, politics, and artistry, this exhibit is a reverent and revealing tour through a medium that continues to shape how we see sound.
Album Art as a Cultural Archive
In the digital age, where music is streamed in intangible formats and content flickers past our eyes in seconds, the presence of album art endures as a striking anomaly—rooted, tactile, emotionally resonant. This phenomenon is at the heart of the Best Art Vinyl initiative, which has grown from a grassroots celebration into a widely recognized global archive of artistic brilliance. Behind this movement is Andrew Heeps, the founder and visionary curator whose passion for album cover design has catalyzed a visual renaissance in music culture.
From its humble origins to its present-day cultural stature, Best Art Vinyl reflects the growing awareness that album sleeves are not merely decorative. They are enduring symbols—time capsules of genre, mood, social context, and visual language. The 2025 edition continues this tradition, inviting audiences not just to view art, but to understand it, vote on it, and preserve it as part of a shared creative heritage.
The Evolution of a Vision
When Andrew Heeps first conceived Best Art Vinyl, the landscape was shifting. Vinyl was in a long, slow decline, overtaken by compact discs and then submerged beneath the tide of digital downloads. In that moment, celebrating the artistry of album covers felt both romantic and radical—a form of cultural preservation that swam against the current of dematerialization. What began as a modest initiative has since expanded into a revered institution, attracting tens of thousands of participants annually and archiving more than 200,000 public votes from music lovers, collectors, designers, and creatives around the globe.
Each year, Best Art Vinyl curates a shortlist of the most compelling sleeve designs, reflecting the diversity and ingenuity found across genres and markets. These aren’t just selections based on aesthetic appeal; they are choices informed by emotion, innovation, and context. The public engagement element adds an essential democratic layer, allowing fans to contribute to a living, breathing archive that continues to evolve with contemporary music and design trends.
Visual Memory in a Sonic Landscape
According to Heeps, album art is more than commercial wrapping—it is a cultural bookmark. These images serve as emotional reference points, imprinting themselves on listeners' memories with profound tenacity. Whether it's the surrealism of a progressive rock sleeve, the raw minimalism of a punk debut, or the polished gloss of a pop classic, the cover becomes inseparable from the sound. For many, a glance at an album sleeve conjures not only the tracklist, but moments in life: friends, seasons, heartbreaks, revelations.
This visual-to-emotional link is particularly resonant for those who grew up in the pre-streaming era, where record sleeves were often displayed on bedroom walls, dormitory pinboards, and independent record store windows. But it holds true even today. The resurgence of vinyl has brought with it a renewed appreciation for physicality—not just in how music is listened to, but in how it is seen and remembered. Young generations are discovering the joy of flipping through bins, seeking rare pressings and alternate covers, engaging in a tactile relationship with music that digital formats cannot replicate.
A Platform for Design Innovation
Beyond nostalgia, the Best Art Vinyl project functions as a global showcase for design innovation and visual storytelling. Every cover selected is a case study in the craft of communication—how to suggest mood, genre, narrative, or mythology through image alone. In an industry that often prioritizes auditory branding, this platform champions the work of designers, illustrators, photographers, and visual artists whose contributions are essential yet frequently overlooked.
Many now-iconic designers found broader recognition through this initiative. By highlighting underappreciated talents and unconventional aesthetics, Best Art Vinyl becomes not just a mirror of music culture but an engine for elevating new voices in visual art. In some cases, these collaborations between musicians and visual artists transcend typical commercial constraints, resulting in gallery-worthy works that redefine the intersection of popular and fine art.
This commitment to elevating underrepresented visual artists ensures that the archive remains vibrant and inclusive. It welcomes bold experimentation, cross-disciplinary efforts, and designs that challenge genre conventions. It affirms that design excellence is not confined to major labels or legacy acts—true artistry can emerge anywhere, and Best Art Vinyl is one of the rare platforms where it finds lasting recognition.
The 2025 Exhibition Experience
The 2025 showcase in Lincoln is more than just a celebration—it's an invitation. Visitors are encouraged to immerse themselves not only in the aesthetic appeal of the shortlisted covers but also in their layered narratives. Every sleeve tells a story: some confront, others comfort. Some whisper with subtle elegance, others explode with chaotic emotion. By walking through the exhibit, one walks through a living archive of modern culture—one that oscillates between individual experience and collective memory.
The accompanying online gallery enhances this accessibility, allowing global audiences to engage with the work from wherever they are. Viewers can read behind-the-scenes commentary, artist statements, and conceptual backgrounds that transform each cover from a flat visual into a multidimensional narrative. This interplay between physical exhibition and digital platform ensures that the conversation around album art reaches wide and deep, inviting participation from all corners of the world.
Sound, Sight, and Memory: A Multisensory Archive
What makes album art so powerful is its multisensory resonance. Long before a listener hears the first note, they’ve already been primed by the imagery on the cover. Whether it’s cryptic, cinematic, nostalgic, or abrasive, the artwork establishes tone and expectation. This is where design becomes prologue—leading us toward emotional terrain mapped by the music itself.
And yet, even after the final track fades, the image lingers. It remains lodged in memory, often becoming the first thing recalled when a favorite album is mentioned. This emotional anchoring is rare in other media formats and speaks to the unique bond between music and image. It also explains why, even amid waves of technological change, album art continues to captivate.
Andrew Heeps puts it simply: “These images stay with us—they become part of who we were when we first heard the music.” This blend of personal memory and cultural iconography is what Best Art Vinyl continues to champion, ensuring that the legacy of album cover design remains as vital as the sounds it frames.
A Lasting Invitation to Engage
Whether you’re a dedicated vinyl collector, a curious design student, a digital-native music enthusiast, or someone encountering this culture anew, the 2025 showcase is an invitation to engage. These covers are not passive images; they are doorways into musical universes. Each one is meticulously crafted to evoke feeling, to stir the imagination, and to be remembered.
The Best Art Vinyl initiative reminds us that in an era of fleeting digital content, tangible design still holds the power to mesmerize. These are not just pretty pictures—they are aesthetic artifacts, rich with intent and emotion. They provoke questions, spark dialogue, and live on long after the needle lifts from the groove.
As you explore the exhibition or scroll through the online archive, allow the covers to pull you in. Let them challenge your perceptions, rekindle old memories, and inspire new associations. Because while music moves you, album art makes you remember—and it is through memory that culture truly endures.
Final Thoughts
As we move deeper into an era defined by streaming algorithms and instantaneous access, it might seem easy to overlook the value of album artwork. Yet, the continued success and cultural relevance of initiatives like the Best Art Vinyl Awards serve as a resounding reminder that visual design remains an integral part of the music experience. In 2025, album art is not simply decorative—it is declarative. It’s a message, a mood, a mirror of the artist’s intent, and often, a standalone piece of visual culture.
What makes the album cover so enduring is its unique ability to act as a bridge between auditory and visual storytelling. A well-designed cover can amplify an artist's message, guide listeners’ emotional response, or introduce them to entire conceptual worlds. In many cases, these designs become synonymous with the music itself, burned into our cultural memory. Just think of how quickly we recognize Nirvana’s swimming baby, Pink Floyd’s prism, or Kanye West’s Dropout Bear. These aren’t just images—they're icons.
In 2025, album artwork continues to evolve, drawing from a richer palette of media, techniques, and global influences than ever before. We’re seeing experimental photographers work alongside AI-assisted illustrators, and musicians collaborating directly with digital sculptors, animators, and fashion designers to craft multi-sensory packages that push the envelope of what an album can be.
This year’s nominees and the retrospective exhibit both prove that album art is not just alive but thriving. It invites us to slow down, to observe, and to feel. It encourages deeper engagement in a world saturated with speed. Whether it’s vinyl sleeves tucked into crates or pixel-perfect JPEGs glowing on our devices, album covers continue to represent an emotional and artistic resonance that’s impossible to duplicate through sound alone.
As we look forward to future releases, exhibitions, and artistic milestones, let us continue to celebrate this remarkable intersection of music and visual creativity. Because long after a track ends, it’s often the image left behind that keeps echoing in our minds.
