In a world increasingly shaped by unpredictability, the simple act of gratitude has emerged as a powerful response. More than just a fleeting feeling, it becomes an intentional practice, a daily ritual that helps ground us when everything else feels unstable. This very notion became the catalyst for illustrator Justyna Green’s deeply moving project, 100 Days of Gratitude. Launched during a time of collective vulnerability, the project has evolved into a touching visual archive of appreciation, now culminating in an exhibition that blends emotional storytelling with artistic expression.
Opening on 18 September at Residency, a sustainable pop-up shop located in Islington Square, the exhibition brings to life the intimate reflections of people from across the creative industries. Since 12 June, Justyna has committed to illustrating one portrait each day, pairing every drawing with a heartfelt note of gratitude shared by the subject. What began as a personal challenge has transformed into a 100-piece mosaic of emotional honesty, resilience, and connection.
The subjects, each offering their unique perspective on gratitude, span a wide range of voices. Their reflections are not defined by extravagance or drama but are instead rooted in the seemingly ordinary moments that illuminate their lives. Brogan Cox, for instance, speaks of the grounding presence of her daily coffee ritual, a simple act that delivers calm and clarity. For Andrew Diprose, the rhythm of a bicycle ride provides a moment of peace and movement that allows space for thought. Illustrator Charlotte Glebocki finds joy in the companionship of her beloved whippet, a creature that offers unconditional comfort and brings levity to her days.
As these portraits and sentiments unfold, they begin to form a collective narrative, reminding visitors that joy does not need to be grand to be meaningful. In a climate of global challenges and personal trials, it is these modest yet impactful experiences that act as lifelines. Through her daily posts on Instagram, Justyna has invited a growing audience to share in these reflections, creating a community bound not by hardship but by the small sparks of hope that keep us going.
A Celebration of Humanity Through Portraiture
The heart of 100 Days of Gratitude lies not only in its art but in its capacity to foster empathy. Each hand-drawn portrait is more than a representation of a face; it’s a visual testament to a moment of sincere thankfulness. The personal notes accompanying the drawings elevate them, offering insight into what people truly value when all distractions are stripped away. These aren’t simply illustrations; they are emotional time capsules, each one carrying a story that resonates beyond the individual depicted.
Among the many voices captured in the project is Rupinder Bhogal, co-founder of Dezeen, who reflects on the profound value of health. At a time when physical and mental well-being have become central to our lives, her gratitude serves as a powerful affirmation of what truly matters. Manijeh Verghese, curator and architectural voice, finds peace in urban green spaces. These pockets of nature provide essential stillness in a city that rarely pauses. Her appreciation speaks to a universal longing for harmony amid the chaos of daily life.
The resonance of Justyna’s project lies in its simplicity and sincerity. As each portrait is shared, it contributes to a greater tapestry of shared humanity. The daily release of each new work has created a rhythm of its own, echoing the quiet discipline of gratitude as a practice. In viewing these works together, the audience witnesses not just artistic evolution, but emotional growth both from the subjects and the artist herself.
Residency, the exhibition’s venue, adds a unique layer to the experience. Known for its commitment to sustainability and innovative use of temporary space, the pop-up location complements the project's themes of impermanence, mindfulness, and thoughtful consumption. It is a space that encourages reflection, inviting visitors to slow down and absorb the messages presented in each frame. During the exhibition, which runs from 18 to 26 September as part of the London Design Festival, limited edition prints will be available for purchase. Each print carries not just visual beauty but emotional resonance. Priced at £100, these works also serve a larger purpose, with proceeds supporting Endometriosis UK. This cause holds deep personal meaning for Justyna, who underwent surgery for the condition during the course of the project. Her decision to incorporate this element into the exhibition adds a layer of vulnerability and advocacy to the initiative, giving it a greater depth and purpose.
A Sanctuary of Reflection and Connection
More than a gallery event, 100 Days of Gratitude becomes a sanctuary for shared reflection. It invites each viewer to consider their own moments of joy, however fleeting or modest they may be. As the show coincides with World Gratitude Day on 21 September, it brings a sense of poetic closure to Justyna’s journey. This is no coincidence but a deliberate choice to align the final illustration with a day that celebrates appreciation across the globe. The alignment of dates enhances the symbolic weight of the project, making the closing chapter not an end, but a full-circle moment of affirmation.
The exhibition culminates in a private viewing on 22 September, from 6 to 9pm. This evening promises to be a gathering of minds and hearts, where art, emotion, and human connection intertwine. Attendees will have the opportunity to experience the collection in its entirety, surrounded by others who understand the value of slowing down to reflect on life’s hidden blessings. It’s an immersive moment, one that encourages visitors not only to observe, but to engage and internalize.
This event arrives at a time when many creatives are still grappling with the residual effects of a global health crisis. Feelings of isolation, anxiety, and disconnection have taken their toll on those who rely on inspiration and collaboration. In this context, 100 Days of Gratitude offers a gentle yet powerful counterpoint. It acts as a healing presence, quietly affirming the resilience of the human spirit. It reminds us that appreciation is not just reactive but generative, it creates space for joy to grow.
What sets this exhibition apart is its honest portrayal of life as it is lived. There is no performative optimism here, no forced cheer. Instead, Justyna Green offers a quiet celebration of the real, the tender, and the enduring. Her work speaks to the universality of gratitude and its ability to bring people together even when the world feels divided.
As visitors walk through the exhibition space, each portrait becomes a mirror, reflecting not only the gratitude of its subject but also inviting the viewer to consider their own. It’s an invitation to slow down, to reconnect, and to find solace in the everyday. The project, in its entirety, feels like a love letter to the resilience found in small things a warm drink, a walk in nature, the loyalty of a pet, the support of community, the comfort of health.
100 Days of Gratitude is more than an art project. It’s a living archive of emotional truth, a community of shared sentiments, and a beautiful reminder of the light that continues to flicker even in the darkest times. Through her work, Justyna Green has created more than an exhibition; she has created a sanctuary of remembrance, connection, and hope. This is not just an event to visit but an experience to carry with you, long after the doors have closed.
A Quiet Act of Defiance Through Daily Art
When illustrator Justyna Green initiated her project, 100 Days of Gratitude, it wasn’t just a personal exercise in art. It was a bold, yet gentle, counterpoint to a period marked by uncertainty and emotional fatigue, particularly within the design and artistic communities. Starting on 12 June, Justyna committed herself to illustrating one person’s expression of gratitude every day. These daily illustrations quickly evolved beyond their visual appeal, becoming powerful affirmations of presence, resilience, and beauty in the everyday.
Each drawing reflected more than just the subject's appreciation; it became a meditative pause in a world that was spinning ever faster. As society grappled with upheaval, loss, and disconnection, Justyna’s project offered a consistent thread of connection. The illustrations acted like soft whispers of hope, reminding viewers of the profound joy embedded in the most mundane details of life.
The routine of drawing and sharing each submission transformed into a deeply human ritual. Gratitude was no longer a grand concept; it was found in fleeting yet impactful moments. The chirping of birds at sunrise, the feel of worn-in wool against the skin, the fragrance of freshly brewed coffeeall these seemingly small things began to shine with remarkable clarity when rendered through Justyna’s delicate illustrations. The sincerity and simplicity of each submission reflected a collective yearning to find light amidst life’s shadows.
This artistic journey was shaped not only by the stories of others but also by Justyna’s own resilience. In the midst of producing the series, she was diagnosed with endometriosis, a condition that brought both physical pain and emotional trials. Even as she prepared for and recovered from surgery, she remained committed to her daily drawings. This act of persistence transformed the project into something far greater than a creative endeavor. It became a living testament to endurance, purpose, and the healing power of gratitude. Her willingness to continue despite her health struggles infused the work with authenticity and emotional weight.
For Justyna, drawing was not just about aesthetics; it was an act of emotional resistance. It became her method of reclaiming optimism and celebrating human connection in the face of adversity. The stories submitted by participants became the scaffolding of the project, but it was Justyna’s unwavering dedication that gave it form and soul.
The Extraordinary Within the Ordinary
As the project progressed, a beautiful pattern emergedone that revealed how often gratitude is rooted in the familiar. While the modern world encourages the pursuit of novelty and grand gestures, these daily submissions focused on smaller, quieter joys. And in doing so, they illuminated something essential about the human experience.
Take Charlotte Glebocki’s whippet, for example. The animal’s presence in her life isn’t simply about companionship. It’s about grounding oneself amidst chaos. The silent understanding shared between humans and animals becomes a source of comfort that transcends words. Similarly, Andrew Diprose’s regular bike rides are not merely moments of exercise or transportation. For him, they offer a meditative route to clarity, each pedal stroke a way of connecting mind and body, each journey an act of mindful escape.
Brogan Cox finds solace in the daily act of making coffee. It’s more than the warmth of the mug or the flavor of the brew. It’s about anchoring oneself in the rhythm of ritual. In the repetition, there is reassurance. In the aroma, a reminder of continuity. Such experiences illustrate how consistency and routine, when appreciated, can offer profound emotional support.
In another touching example, Rupinder Bhogal’s appreciation for her health resonates deeply when considered alongside Justyna’s own medical journey. Both women express an awareness that health cannot be taken for granted. It’s a gift that allows other gratitudes to exist. In this shared recognition, a quiet empathy develops between subject and artist, enriching the narrative behind each piece.
Manijeh Verghese's gratitude for green spaces also takes on layered significance. Her reflections on nature aren’t just about visual delight; they speak to the importance of sanctuary. These pockets of greenery provide a refuge, a place to breathe freely, both literally and metaphorically. In these spaces, the pressures of city life momentarily recede, and what remains is clarity, restoration, and peace.
The emotional resonance of each gratitude grows stronger when seen in this collective light. Each individual story, while deeply personal, speaks to something universal. In choosing to focus on the day-to-day joys that sustain us, the project uncovers a shared humanity. It allows us to recognize ourselves in others’ stories, to see our own gratitudes reflected in their illustrations.
A Celebration of Community, Connection, and Purpose
The 100 Days of Gratitude project culminates in a poignant and celebratory momenta dedicated exhibition at Residency in Islington Square. This exhibition is far more than a traditional art show. It’s a tangible representation of the values at the heart of the project. Justyna’s dedication to sustainability is reflected in every detail, from the environmentally responsible materials used in each print to the thoughtful layout that encourages introspection and conversation. The space invites visitors not just to view the art but to engage with it, to pause and reflect on their own sources of gratitude.
Running from 18 to 26 September, the exhibition is featured as part of the London Design Festival, a fitting context that elevates the project while rooting it in a broader conversation about innovation, ethics, and social responsibility in design. The event offers an opportunity for like-minded individuals to gather, connect, and share their experiences. It’s a celebration not just of Justyna’s artistic vision, but of every person who contributed their story, and of everyone who finds comfort and meaning in those stories.
A portion of the proceeds from the limited-edition prints will go to Endometriosis UK, aligning the project’s impact with a cause that has touched Justyna personally. This philanthropic element adds another layer of significance, reminding visitors and supporters that art can be a force for change, healing, and advocacy. It transforms the act of viewing or purchasing art into an act of contribution and solidarity.
As the final portrait is scheduled to be revealed on 21 September, there’s a natural sense of crescendo. But the end of the drawing cycle is not a closing chapter. Instead, it’s a moment of reflection, a point at which the collective emotional journey of the project becomes clear. The gratitude shared across these 100 days doesn’t vanish lingers, living on in the prints, the memories, and the hearts of those touched by the work.
This project exemplifies how storytelling, when paired with artistry and sincerity, can shift perspectives. It reaffirms that gratitude isn’t something we reserve for rare moments of triumph. Rather, it’s woven into the very fabric of daily life. Through this series, Justyna Green has revealed how the quiet act of noticing can transform into an act of healing. She has shown us how sharing these observations can build community, empathy, and strength.
The impact of 100 Days of Gratitude reaches well beyond its visual appeal. It encourages introspection, it champions resilience, and it fosters a culture of acknowledgment. At a time when many feel disconnected or overwhelmed, this body of work offers a gentle invitation to return to the present, to look closely at what we have, and to share it with others. In doing so, it becomes more than just an art project. It becomes a movement grounded in compassion, clarity, and hope.
The Power of Portraiture and the Language of Gratitude
In an age where fast-paced content often overshadows quiet reflection, Justyna Green’s 100 Days of Gratitude invites a different kind of engagement that is intimate, personal, and profoundly moving. At its core, this exhibition is a meditation on the emotional weight of thankfulness. Each portrait is paired with a single sentence of gratitude, spoken by its subject, and together they form a compelling narrative of shared humanity.
The true brilliance of this series lies in its simplicity. A face and a sentence. That’s all. And yet, within that framework, a surprising depth unfolds. There’s a quiet magic in reading a line like “I’m grateful for my garden” while gazing into the eyes of the person who spoke it. It’s as if their story gently enters your own emotional field. No elaborate backstory is required. The essence of the connection is immediate and instinctive. Whether it’s gratitude for a loyal whippet, a trusted bicycle, or the serenity of early morning light, these expressions touch something elemental in us.
Gratitude becomes a bridge across individual experience. Though each drawing is rooted in personal reality, the feelings they evoke are universal. This universality is not presented with grandeur but with tenderness. Viewers are invited to feel, not just observe. There is no pretense, no spectacle. Just genuine moments of appreciation made visible through art.
What makes this project stand out is the emotional honesty it fosters. Green’s approach is not about crafting perfection or romanticizing the ordinary. It’s about preserving truth in visual and verbal form. The exhibition doesn’t shout to be noticed; it whispers to be understood. That whisper lingers long after visitors leave the space, urging them to reflect on their own thankfulness in ways they may not have considered before.
A Living Archive of Emotion and Resilience
From its inception, 100 Days of Gratitude was always more than an art series was a journey. As both artist and curator, Justyna Green has cultivated a unique emotional landscape. Her drawings are more than illustrations; they are emotional conduits that document resilience, vulnerability, and connection. In creating this body of work, she has become an archivist of the human spirit.
Each carefully rendered face is not a model but a person who has paused to reflect on what grounds them. These reflections are not rooted in wealth or fame but in the small, consistent joys of everyday life. A pet. A sunrise. A patch of soil. The real beauty of the project lies in elevating these so-called ordinary aspects of living to something sacred. In a world reeling from constant flux, such touchstones offer a sense of permanence and safety.
The intention behind the collection is palpable in every aspect of its presentation. From the gentle pencil strokes to the layout of the exhibition space, every detail is deliberately chosen to nurture empathy. It’s a kind of emotional choreography, where visitors are guided not just visually but emotionally from piece to piece. The gallery is not a place of passive observation; it becomes a participatory space for feeling, for remembering, for reconnecting with one’s inner life.
Justyna’s own path adds a deeper layer of resonance to the project. Her ongoing experience with endometriosis, a condition often endured in silence, has informed her artistic voice with a sincerity that cannot be manufactured. She doesn’t wear her resilience like armor; she lets it soften her lens. This openness enhances the exhibition’s emotional gravity, encouraging others to embrace their own complexities rather than mask them. In doing so, she doesn’t merely present artshe cultivates a compassionate atmosphere where courage and tenderness co-exist.
Each portrait in the series serves as a quiet affirmation of life’s subtle miracles. These are not grand declarations or triumphs over adversity, but rather acknowledgments of what helps us endure: connection, purpose, presence. And it is precisely this quiet power that makes the exhibition unforgettable. Visitors are gently reminded that gratitude doesn’t need to be loud to be transformative. It can exist in whispers and still leave a lasting echo.
Immersive Encounters and Acts of Shared Generosity
Set to unfold within the vibrant cultural framework of the London Design Festival, 100 Days of Gratitude offers a welcome contrast to the city’s creative bustle. Nestled inside Residency, the venue becomes more than a locationit becomes a sanctuary. In the middle of conceptual showcases and design innovation, this exhibition creates a haven for introspection. The experience is less about consuming art and more about being in conversation with it.
Walking into the room, guests are met with 100 portraits with a soul, each with a voice. The cumulative effect is one of emotional resonance. These faces do not compete for attention; they coalesce into a chorus of quiet reflections. There’s something profound in recognizing yourself in someone else’s moment of gratitude. The emotions run widesometimes nostalgic, sometimes joyful, often bittersweet. The effect is grounding. It roots viewers in the present while reconnecting them to the larger human experience.
Adding another layer to this multifaceted project are the limited edition prints available for purchase. These are not just art pieces to hang on a wall. They are talismanic objects that hold emotional charge. Each print, when taken home, becomes a daily reminder of what it means to be thankful. In supporting the artist, collectors also contribute to Endometriosis UK, reinforcing the exhibition’s deep commitment to generosity and advocacy.
This balance between personal reflection and communal support is what elevates the experience. The exhibition is not just about viewing; it’s about participation. Buying a print, attending the show, sharing a story of these become reciprocal acts. The lines between artist, subject, and audience blur, forming a triad of shared emotional investment.
For those unable to visit in person, the upcoming launch of Justyna Green’s online shop will allow the spirit of the project to extend beyond physical borders. The digital space will mirror the intention of the physical exhibition, offering access to prints and stories that continue the conversation on gratitude. Whether placed in a bedroom, studio, or hallway, these pieces serve as quiet companions, anchoring their viewers in moments of peace.
The private viewing scheduled for 22 September promises to be a deeply intimate experience. Unlike most preview nights that emphasize exclusivity, this evening will center on presence and authenticity. Attendees won’t simply observe a gallerythey will step into an emotional ecosystem. In that space, surrounded by hand-drawn affirmations and reflective faces, something intangible begins to shift. It becomes a communal exhale. A shared moment where strangers are linked not by background or identity but by appreciation.
Ultimately, 100 Days of Gratitude doesn’t merely showcase portraits curates a living, breathing environment where human emotion is both the medium and the message. Visitors leave not just having seen something beautiful but having felt something vital. This is what gives the exhibition its staying power. It isn’t just memorable’s quietly life-affirming.
A Radiant Culmination: Where Art and Gratitude Converge
As the final portrait in Justyna Green’s deeply evocative series is unveiled, the 100 Days of Gratitude exhibition officially opens at Residency in Islington Square. What might appear on the surface as the conclusion of an ambitious creative journey, in truth, signals the beginning of something far more enduring and transformative. This moment doesn't merely mark the closing of a chapter in artistic expression; it opens a wider, more impactful dialogue on the significance of gratitude in our shared human experience.
Justyna’s project defies the transient nature of most exhibitions. While the physical gallery may eventually quiet, the emotional and spiritual ripple of the work continues to expand. Viewers leave not only with a memory of the artwork but with an internal shift, a quiet prompting to look at their own lives through a new lensone tinted with appreciation and mindfulness.
What makes this body of work extraordinary is not scale or spectacle, but its raw sincerity. These portraits are not acts of performance. They are tender reflections of what it means to be present in one's life, to honor the small and often overlooked details that shape our days. The authenticity in every illustrated detail stems from Justyna’s deeply attentive observation and gentle hand. Each line drawn is a soft-spoken invitation to consider one's own journey with kindness rather than criticism. Her work encourages viewers to meet themselves with the same curiosity and care with which she approaches each subject.
At a time when people globally are reevaluating what truly matterswhat brings meaning, connection, and the exhibition feels like both a mirror and a compass. It reflects the inner work many are engaged in and offers direction toward intentional living. It is not an escape from hardship but a way through it. By anchoring each portrait in moments of quiet gratitude, from the pleasure of morning coffee to the solace found in the presence of a pet, Justyna gives visibility to what often goes unnoticed yet carries great emotional weight. These are the seemingly small joys that keep many afloat during moments of uncertainty. They are reminders that meaning need not be monumental to be profound.
The resonance of the exhibition goes far beyond the gallery walls. It finds life in the conversations it inspires, the reflections it prompts, and the community it cultivates. Through social media platforms, personal exchanges, and the physical event itself, the exhibition becomes more than an art show. It becomes a collective experience, a movement stitched together by shared sentiments of appreciation. In this way, the project proves that gratitude, when authentically expressed, becomes contagious. It spreads quietly but potently, inviting others into its orbit without demand, only by example.
Community, Compassion, and the Quiet Revolution of Gratitude
Perhaps the most profound outcome of 100 Days of Gratitude lies not just in the art itself, but in the human connections it has fostered. As individuals engaged with the project online and in person, a quiet but vibrant community began to form. This wasn't a crowd gathered around a fleeting trend, but a group of people drawn together by shared values. The artwork served as the initial magnet, but what held the community together was a collective yearning for meaning, healing, and mutual understanding.
The series became a conduit for individual and communal reflection. For some, it encouraged the creation of personal gratitude practices. For others, it became a reminder that beauty still exists in the mundane. Some may have simply found comfort in knowing they were not alone in cherishing the quiet details of everyday life. The beauty of the project is its opennesseveryone is welcome to bring their own narrative and take away their own inspiration. There is no single right way to experience it. Each viewer’s emotional history, present mindset, and hopes for the future shape their interaction with the work.
What strengthens this emotional resonance is the layer of authenticity Justyna brings through her own story. Undertaking such an ambitious project while managing a chronic health condition is not just admirable; it is deeply inspiring. It adds a layer of emotional integrity that cannot be manufactured. The fact that she chose to give part of the exhibition’s proceeds to Endometriosis UK is more than an act of generosity. It reflects a holistic understanding of gratitude as a purely internal practice, but as a force for collective healing and empowerment. It transforms personal reflection into tangible support, bridging the gap between awareness and action.
The setting of the exhibition further deepens its impact. Hosted at Residency within Islington Square and aligned with the prestigious London Design Festival, the location itself becomes part of the narrative. Residency is known for its emphasis on innovation, sustainability, and ephemeralityqualities that mirror the nature of gratitude itself. Gratitude, like the exhibition, may be temporary in form, but its effects are lasting. The choice of venue enhances the poetic resonance of the project, making it feel both grounded and expansive.
This setting also contributes to the evolution of the project beyond traditional boundaries of art. Visitors don’t just come to view art. They come to engage in a shared experience that invites them to slow down, to feel deeply, and to connect not just with the work but with themselves and others. Whether encountered in person or digitally, each portrait acts as a quiet yet powerful catalyst. It prompts introspection without pressure, offering space for personal truth to surface naturally.
As the calendar turns to World Gratitude Day and the final illustration is revealed, there is a natural inclination to consider the project complete. But the emotional momentum generated refuses to settle. Instead, it moves forward, carried by those who experienced it. The true legacy of 100 Days of Gratitude is not a set of portraits hanging in a gallery, but the shift it inspires within those who witness it. That is where its power liesin the unseen changes of heart and perspective that unfold long after the exhibition ends.
A Legacy Illuminated by Presence and Purpose
In redefining how art operates in the context of cultural turbulence, Justyna Green has positioned 100 Days of Gratitude not as a mere aesthetic offering, but as a deeply necessary cultural statement. Her work argues that in times of stress, upheaval, and uncertainty, art should not serve as an escape. Rather, it should anchor us. It should engage with the world directly, transforming pain into insight and distraction into reflection. Through this lens, art becomes an active participant in emotional resilience.
Gratitude, often dismissed as sentimental or surface-level, takes on a new shape in Justyna’s hands. It becomes complex, layered, and powerful. It is both a personal practice and a communal thread. It is a form of resistance against cynicism, a way of reclaiming joy without denying hardship. In this context, gratitude is not about ignoring what is difficult. It’s about holding space for what is beautiful within that difficulty. It’s about letting small acknowledgments of good become a lifeline, a path back to oneself.
The project also calls into question how we define value in both art and life. By focusing on ordinary moments and rendering them with care and dignity, Justyna elevates what we often overlook. In doing so, she reminds us that the extraordinary is not always grand. Sometimes, it is simply present in the quiet, the habitual, and the honest. This perspective is not just refreshingit is deeply needed in a world that frequently prioritizes spectacle over substance.
For artists, creators, and appreciators alike, 100 Days of Gratitude offers a new paradigm. It shows that commitment to authenticity, paired with a willingness to engage with one’s own vulnerabilities, can birth something both intimate and universal. It shows that art rooted in personal truth has the capacity to reach far beyond its origins. And it reveals how a consistent, humble practiceillustrating one moment of gratitude per daycan lead to a cultural moment with real, lasting weight.
Visitors to the exhibition, whether physical attendees or digital followers, are offered more than a collection of visuals. They are given an emotional experience, one that evolves in response to their own stories and internal landscapes. This dynamic interaction is what allows the exhibition to live on. Each engagement with the work creates a new version of it, reimagined through the lens of each viewer’s life.
As the project concludes, its influence is only just beginning. The gentle call to recognize the good, however fleeting or small, continues to echo. For many, this will inspire new rituals, daily reflections, gratitude journals, or simply a more attentive walk through their neighborhood. For others, it may become the seed for their own creative expression. In all cases, the impact is real, resonant, and enduring.
Conclusion
100 Days of Gratitude is more than an artistic endeavor; it’s a quiet revolution rooted in sincerity, resilience, and shared humanity. Through tender portraiture and heartfelt words, Justyna Green has created a space where gratitude becomes a transformative practice. The project honors life’s subtle miracles from morning rituals to the comfort of companionship, offering a sanctuary for reflection in a noisy world. Its emotional resonance lingers far beyond gallery walls, inviting us all to slow down, to see clearly, and to give thanks for the beauty in the everyday. In doing so, it plants enduring seeds of hope, empathy, and connection.
